True Love Leaves No Traces (2026 - ongoing)

‘A short while before moving to Brussels, I met B. The relationship was brief. The ending, abrupt. That evening, immediately after returning home, I was unable to remember his face. It was the first time that had ever happened to me. B is also the first man toward whom I felt desire, arousal, while he was standing there, next to me. It happened only once, the night we kissed for the first time.’

True Love Leaves No Traces questions my desire — or rather its absence, as a demisexual person. How does one (re)connect to it when growing up in a society designed by and for men, where the male gaze is omnipresent? I question and attempt to dismantle this persistent belief that I exist fully and solely through the male gaze. By positioning myself behind the camera, I shift from object of desire, a role I have so far never truly been able to embrace, to desiring subject.

What is love in our contemporary Western society, in the era of dating apps, where relationships and sexual orientations are constantly being redefined? A society in which we communicate virtually, almost without interruption, with several people at the same time, yet where paradoxically our sense of loneliness keeps growing?

I set myself the protocol of finding most of my models through dating apps. Before the first date, they are informed about the project. From the very beginning, the relationship therefore includes a third presence: that of the camera. An opportunity to explore the link between memory and photography, its capacity and its limits to refer to the “this-has-been” (Roland Barthes), to create memories, or conversely, counter-memories.